#solved examples

[sagarrachnagrp]

Combo of ‘Together with’ ICSE Class 10 Question Banks for the session 2023-2024

Combo of ‘Together with’ ICSE Class 10 Question Banks includes a set of 5 books. Class 10 Chapter-wise Question Bank includes MCQ-based questions, solved examples, practice questions, brief summaries, previous years’ questions, practice papers etc. The books have been prepared by experts and the content lies in accordance with the 2024 Board Exam pattern. The students can grab the combo set of books for English Literature, Hindi, Biology, Chemistry & Mathematics from _.

[tesseractingrey]

i think one of the coolest things about dan howell is the example he sets of how your life isn’t over at 25, and one person won’t fix your life but you still can. dan met his actual soulmate at 18 and is only now, in his 30s, finding true and genuine happiness and fulfillment. meeting phil didn’t automatically solve all his problems, although he was clearly a significant part of the motivation to bother doing the work at all. but dan still put in the work himself for YEARS to improve himself and his life and it WORKED. your life isn’t over if you aren’t completely happy and fulfilled and the person you wish you could be in your 20s. putting in the work takes time but it is WORTH IT.

[blueskittlesart]

is detcon actually good

no <3 hope this helps

[froschli96]

🗣️ Darlin', you give love a bad name

Found this in my old wip folder and it feels now more relevant than ever :)

Also these don't know why I never uploaded these they were just sitting there completely finished:

[themoderatespeaks]

"Israel's actions in Gaza are genocide and need to stop immediately."

"Hamas started this war. Return the damn hostages immediately."

....

Why is it so hard to say those two things at once?

[shallowseeker]

“but shal, how could crowley have slept with naomi when fergus macleod wasn’t alive yet????”

well. for starters, “mesopotamia” could’ve just been a general poetic.

but also could be as simple as… he didn’t.

he has intel on her. and he’s posturing, as usual. because that’s what crowley does.

double entendres and innuendos are his weapons of choice to sow distrust, suspicion, discomfort, derision. to put you off balance, if he can. (and if that fails, he’ll switch to insults or, at worst, incessant goading.)

And the thing is… almost ALL his posturing is sexual. it’s how he wields power (from what traditionally tends to be from a weaker position)

it’s more about how he operates and fergus’s victimhood/ historical demon trauma more than it is a statement of de facto truth

he wants you to read into it

get distracted; get discomfited

just long enough to take your eye off the ball or give him the upper hand in a power struggle

[fangedbats]

“this ship is better” “no these people go together” “this one is better than both of those”

consider that they all have multiple hands. and that polyamory is a thing. /lh/nm

[anza-redstar]

“The man is a public danger. There are lonely houses scattered over the moor, and he is a fellow who would stick at nothing.”

[…]

“I assure you, Sir Henry, that in a very few days the necessary arrangements will have been made and he will be on his way to South America.”

Reading it as a kid, I don’t think I gave it a second thought, but, uh… this seems kind of rough on South America.

[cleradinthealps]

it’s so telling that the ultra-wealthy are suddenly so worried about violence when it’s against a ceo but couldn’t be bothered by the hundreds of school shootings that have happened over the years

[ranchwamen]

Remember a while back when I mentioned that Marie’s head is in another plane of existence? I wasn’t joking, by the way. Sometimes people in the Sirpaverse have a very sharp cutoff point on their bodies cutting off a body part akin to how a missing limb looks like in the real world… except, the body part isn’t actually gone! Marie should be dead, having no brain to be observed, but she isn’t. Nevermind that she can see and hear and talk! This isn’t exactly proven 100% in-universe, but the most accepted theory is that these lost parts are sort of… in another dimension. Marie’s body partly goes into a higher dimension that we cannot observe, like a three-dimensional creature being partly in the second dimension. (Sadly Marie can’t change how much of her is physically here nor observe any higher dimensions either, so like, it’s not even a very good party trick)

The effects of this are varied and occasionally strange. Marie doesn’t feel her head but still knows how to close her eyes and speak — she can blow a raspberry!!! How!?? I dunno, she figured it out as a kid. She has no eyes to get dust or dirt in, but having sand blown in her “face” is especially unpleasant and unhealthy because she also has no protection like lips or nose hairs to stop her from inhaling it directly into her lungs. Bright lights are still bright and loud sounds are still loud, and they can be hard to block out. Heavy rain can be dangerous. Cold air is cold in her throat and lungs. People can’t read her at all, most of the time. But… at least she won’t get brain cancer….? 

You usually won’t see Marie from above (because she’s 190 cm tall) but the cutoff point of her body looks like this from above: 

It seems to emanate light, but if you observed her neck in complete darkness it would not illuminate anything, only itself very faintly.

[kandavers]

i'm getting a lot of ratiorine/aventio stuff at my Tumblr feed and i do love them, however i dont know if i have the brain capacity to write them since they're both extremely smart hahaha

[melonisopod]

Hon we need to get you some Adderall.

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[gigglesandfreckles-hp]

Im already ready for the first time jily have to KISS (aside from the three broomsticks hook-up...which was amazing btw) (and Im assuming your note about this having all the tropes in it means there will be some forced public kiss. if not thats ok too but please consider this as my formal request)

ha! i can absolutely promise to fulfil your formal request. here's a snippet from said first kiss from an undisclosed future chapter. (it's within the first ten!)

He tastes sweeter than she remembers, and the moment their mouths meet, it’s as if her body remembers exactly how to play all the old rhythms. His jaw is sharper now, a light scruff dragging rough across her skin that she isn’t used to, his chest broader, pressed flush to hers. His hair is longer, softer under her fingers, and his lips move against hers like he’s starved for it. That part isn’t new. He’s always kissed her like his life depends on it.

[brokenrefraction]

instead of listening to math class me and my brother accidentally created the Face Paradox and im curious how many people here know the true answer (that isn't too obvious)

everyone's faces are changed, mari and hero's faces are swapped. Why does aubrey's face not change

[completeoveranalysis]

[9]

Watanuki has resolved to make her eat it anyway. 

>:) Lovely. 

Though I find it fascinating the way this problem has played out. The customer presented a problem and even though Watanuki had hints from Yuuko it didn’t make any sense to him until he discussed it with Doumeki. And then they figured it out together.

It feels like it’s signalling that Yuuko doesn’t have much guidance left for Watanuki - or at the very least, he’s finding his own way of figuring out problems in a way that makes more sense to him.

Which is good in the way that Yuuko was always limited in the kind of help she could give, because outright giving any answers would always come with a cost that she didn’t want Watanuki to pay. But we’ve entered the zone where Watanuki doesn’t need to rely on her hints as much and will figure things out naturally using his own methods. 

So that's good! But on the other hand I would like to keep Yuuko forever. 

I want it officially noted that this conversation between Watanuki and Doumeki lasted for ELEVEN PAGES before there was even a hint of faux outrage!

Eleven pages of solid conversation before Watanuki remembered that he pretends to hate Doumeki!

This is very fun knowledge for all people who are me.

Conspiracy! 

We love Mokona’s foresight and subtle manipulations to get more snacks. (And to get Watanuki to talk to Doumeki)

But even more than that we love Doumeki’s open concern for Watanuki’s wellbeing and double checking whether he can safely be here! 

OOPS nope I misinterpreted that, it wasn’t that at all. It was Doumeki double checking to see if this was the best course of action as far as the mystery was involved. He wonders whether Yuuko could have given him better help. 

But I have preemptively talked all the way through that idea so I’m glad I picked up on that undercurrent correctly!